place, it is his firm conviction that art is not made just for museums and galleries but represents an expression in an intensified way of whatever is of value in any human experience.  He has devoted his efforts to showing directly to the students who work in the classes of the Foundation, indirectly to the numerous readers of his books, The Art in Painting, French Primitives, Renoir, that pictures and how pictures express the values of everyday human living, doing it according, of course, to the individuality of their creator, working in some great tradition.  He has shown clearly that art appreciation is not a matter of emotion but of emotion and intelligence working together, and that they are as necessary for the understanding as for the creation of works of art.